In the prologue of the Masnavi (often called the Neynameh), Jalaluddin Rumi uses the metaphor of the reed-flute (ney) to symbolize the human soul. The reed has been cut from its original home, the reedbed (nayestan), and its hollow body laments this painful separation, producing a nostalgic, passionate music that everyone hears but few truly comprehend. This allegory represents the human soul's earthly exile, characterized by a deep yearning to return to its divine origin. The music of the reed is not mere wind but the fire of love, serving as a spiritual catalyst for seekers on the mystical path.